Inspiration through innovation and creative hocus-pocus


Getting older is a great thing. It makes you take notice of things and, as I’ve gotten older I’ve noticed something particularly intriguing about the people I am surrounded by, in both a literal and figurative sense.

They are increasingly creative and productive people.

I mean this in two senses:

On the one hand I notice that the people who I’ve known for a long time are doing more and more creative and interesting things with their time. They’re writing stories, blogs and plays. They’re taking amazing photos, making films, appearing on TV even. I’ve seen a lot of these people sprawled on the floor, multiple sheets to the wind. They’re the same people, but doing great things.

On the other hand I find that the people who I meet anew, those who are coming unbidden but welcome into my life, are generally of the creative bent also. I feel that this is because I am in the luxurious position of being older, less interested in being popular, and therefore more choosy in my acquaintances. Also, they are generally friends of the few dear friends I have maintained for many years, so they come pre-checked, as it were.

One shining example of this new phenomena is a fellow that I’ve never met. Never even spoken to but, through the miracle that is the web, have conversed at length and find him a thoroughly decent cove. I am moreover so moved by his own creative output as to note my feelings of being exposed to someone’s inspiration, the creative results and the onward feelings that this has inspired in me.

Zoon van Snook’s ‘The Bridge Between Life and Death’ is an album of many facets. It is a technical maelstrom of bleeps, tweets, chirps and beats, with exceptional production and mixing underpinning it all, such that the production is incidental to the listening. It is clearly the result of the assemblage and usage of great numbers of electrical devices, the like of which I could only raise an eyebrow and scratch my head at – so, hats off there too. But that is, to my mind, incidental also.

The Bridge Between Life and Death
The Bridge Between Life and Death

There is always something of the mystery about electronic music. Something alchemical. Something that makes me think of Eno-esque characters locked, wide-eyed in windowless rooms, with banks of keyboards and twiddle-desks piled to the ceiling. For all I know that is true, but I don’t know at all, and I care even less. The proof of the pudding is in the eating after all.

What this piece of work actually is, what it has actually achieved, is to move beyond the complexity of its creation and become something in and of itself. It is an act, a decisive mark made in the firmament of consideration and appreciation. It has set down in musical form nothing less than an emotional landscape for the listener to enter and to explore. It is the literal creation of space in which one can travel, not knowing exactly what will be around the next corner but feeling safe in the knowledge that, on the evidence of the last corner, that you will want to go there.

Assembled from a collection of recordings and created sounds, overlaid, built upon and reduced in turn, this is a place one would want to wallow for the longest time. An inspired place. Inspired by life lived, for better or for worse, sorrows and joys treated equally, and set out for that inspiration to be inherited by the listener as they take their own journey, using the album as a backdrop to whatever thoughts and dreams are in one’s own head.

Talking about individual tracks, presuming to walk through the album for another person, is not I think a valuable process. Where the individual gets lifted and taken atop the music is a personal thing and not for another to drive. However, it is impossible to talk about this album without mentioning its structure, creation and execution in a progressive start-to-finish sense.

Opening with a direct injection into the brain of Nordic atmosphere, like one has walked into a fisherman’s hut on a cold winter’s evening and found a welcome crowd of people tuning traditional instruments. The set-up is to ready you for what is to come, an unashamed and undisguised love letter to the majesty and simple beauty of the icily calm and yet unpredictable volatility of Iceland. The influence, greedily absorbed and infused throughout the album, is in places joyous to the point of tears. Track after track, all but one in what is by any measurement a single outpouring, envelops into this otherworld. To embody so completely the love for a place is something I have never known. To do so with such musical aplomb is an act of some level of genius.

Tripping pizzicato, humming beats and lilting horns carry you along, interspersed with snippets of conversation, the rushes of air, the smell of the sea, the sulphur on the breeze. There are no moments that break the flow, no angles that catch your sleeve, no uneven surfaces to cause the stride to falter. Even the standout moment The Verge of Winter, with it’s musical buildup of sedimentary layers taking one to the point of collapse, manages not to allow the remaining 25 minutes to be a downhill ride.

To say that this is an inspired artistic moment seems a gross understatement, as the geography and the artists that have gone before and been driven by Iceland before are clearly present here. What Snook has managed to do however is to elevate beyond these, by not only being respectful, but by not being cowed and humbled into maintaining the position of lowly admirer. He has stood tall and proud and done so by being creative and inspired, without margin and without pause.

There is little more inspiring than that.

The beginnings of something


Truthfully, it wasn’t going well. It hadn’t been going very well at all for the last ten minutes at least and, if I was really an truly honest, I would even have said that it was rapidly disintegrating as a negotiation. If I’d had the temerity to still refer to it as that. So I tried to change the mood and give myself a) more of an image of power and b) some time to think about how to improve the sorry position I was in. I did this by stopping my half-assed arguments, which were resembling nothing more than incoherent whinging anyway, and simply turning my head, so that he couldn’t see my eyes for a while.

Looking meaningfully away, in what I hoped was also seen as a disinterested and preoccupied fashion, I squinted across at the billowing dust from the dried fields below. The sun was really high in the sky above at that time of day but, high as it was, it was still bright and massive enough to hit me full in the face and make me squint more than I really wanted to. So it made me look away again, which was annoying, as I felt it ruined the effect I was going for. As a quick alternative I went for looking down at the road instead, which I was standing fairly moodily in the middle of anyway I realised, so it was already reasonably dramatic, if seen from a certain angle. Not that the drama was created through any danger of standing in the road which, it could be easily estimated, was at least 300 miles from any kind of motorised vehicle, and had been so, for a considerable amount of time.

The description of it as a ‘road’ was itself a bit of an exaggeration, as it was more a collection of ditches, squashed together and filled with stones and black and orange dust and sticks, and Christ knows what else, and went rolling over humps and hills in the middle of the village, that could surely have been levelled out at some point, if they really wanted there to be a road here, and off across the baked hard land below until it disappeared into the landscape itself, where it was good riddance, if you follow me.

I couldn’t fathom where the road would actually be going to. Behind me the village that it ran out of was glowering out from its dank hole at the deforested clearing I was standing in, and I could understand that feeling. Even on this literal road to nowhere, a person would want to leave that place and try their luck elsewhere.

It sat, the village, like a lumpy and miserably dried old frog. It sat angrily in it’s shadowy squatted position next to impenetrable trees and scratchy brush on one side, and a thick outcropping of cliff on the other, which itself seemed more like a pile of rocks that had been dumped on the side of the road, giving the impression that they would sooner or later roll off of each other and finish their interrupted job of crashing about the place and finally flatten the crappy collection of leaning huts and houses that the villagers somehow managed to live in. If you could call it living, that is. The children were thin and spidery, wearing old t-shirts (that somehow display logos and brands from countries they can’t even conceive of existing, let alone visit, or know someone who has) and great tunnel-like shorts billowing around their wispy brown limbs, and their pointy-chinned blocky heads, uniformly covered with shaggy jet-black hair. Like Chinese children they all have the same haircut but, unlike their easter Asian counterparts, these Indian urchins have thick, dusted and wild hair, as though they’ve all recently finished a drum solo whilst sitting on bag of flour.

He made an ‘Ehermmn.’ noise at me, which I heard and knew couldn’t be ignored. But I didn’t turn straight away. I’d bought myself a little composure time, by acting all European and other-worldy, and had my back to him and was staring into the far distance. It was shithole over there too I’d concluded. I also hadn’t actually thought of anything new to say, which was a bore.

I turned and looked back at him, putting on my best and most serious face, to show that I was no longer to be trifled with and was now ready to negotiate hard. As was proving typical though, in this hot, dry and cantankerously tedious country, I was to be scuppered again and without warning. A wind from literally nowhere at all whirled the dust up around my face, and into my eyes and nose for like the four-hundredth time that hour. It made me blink twice, cough pathetically against the back of my hand, because I had no spit to cough properly with, and totally lose my new cool composure.

The breeze passed and I looked back at him. He hadn’t moved.

‘Four of 100 rupees’ he said, looking at me from out of under his thick, singular eyebrow. He meant ‘Four for 100 rupees’ of course, which was pathetic. I turned away again.

He was very small, and whippery, just like the scattered group of children, but with an inexplicable pot-belly, much like the African children on those fundraising televisual appeals. But, although these people here were hardly living in the lap of luxury, in their dust-bowl village with the look of madness about them, they weren’t starving. Maybe that was why he wanted more money though, for food. For more food for him and his skinny children, which did not have the round belly he sported, and which could potentially be mostly his, considering the strange social and numerical dynamics that affect the average size of the poorest families in the world.

He could be desperate to keep these kids alive. These cricket-legged imps that stood around the periphery of the clay walls and corrugated iron doors. Or, that could be just what he wants me to think. They do know how to reel out a sob story, these Hindu swines. That said though, he hasn’t looked in any way pathetic or needy thus far, at least not in the sense that one would feel sorry for him. I have to turn back to him.
‘You have to be joking. I can get 5 for 800 rupees in Patna’. I exclaim back, attempting to sound outraged and knowledgable at the same time, whilst trying to rapidly convert the Rupees into Dollars in my head. Other people can do this really fast, but I can’t. I actually have a chart in my pocket to work it out really quickly, but there’s no way that I’m going to put my hand in my pocket or move my head away from this gaze-locked conflict which I’ve now committed to.

Four of 100 rupees!’ he repeats, ‘Four of 100! Who you get 5 of 80 from, eh? Who you know? You not get four of 100 from not anyone here, nor not from anyone anywhere. You don’t know anyone!’

He knows I don’t know anyone, and he’s looking straight at me now. The balance of power in this exchange is shifting and I’m not enjoying the feeling. In the middle of the night in this part of India I realised some time ago that it’s not wise to be alone and annoying a man like this. He’s still holding his knife, not actually threatening me with it, but he’s still holding it and I know he can use it, so I decide that compromise is probably best here. It’s not your typical purchase, but he’s just after a good deal and, like any vendor, this is normal to him. He’s got a family and all. I imagine he’d be doing something else if he had a choice in the matter.

Four for 80 rupees’ I try.

Four of 100! Four of 100!’ he continues, picking one up and showing me what I’m buying, as if to reinforce the value.

You no get lesser’ He now says. I think he means cheaper. I’d forgotten that his English probably isn’t good enough to enter into any sort of sophisticated bartering, so the impasse we’ve arrived at isn’t one that either of us are in any real position to sweet-talk our way to a successful conclusion from. He’s not exactly a trader after all, he knows that and so do I.

He’s passing it from hand to hand, turning it to himself then to me, holding it up and making me look at it, showing me that it’s worth what he’s asking for. I still honestly doubt it, but the situation doesn’t look like it’s going to turn into a mutual appreciation society anytime soon and, as I’ve actually stupidly got over 1000 rupees on me right now, with another 18000 in my hotel room across the jungle, wherever that was. I’m rapidly deciding to just pay up and get out of there before this goes on for too long.

Four for 90’ I say and produce 90 rupees in notes from my pocket. He takes them and calls me a ‘Chodu’. I don’t know what this means, but I am fairly sure that we’ve not formed a bond in our short time together, so I’ll just file that one away for use later, probably for the porter at Phulwari Sharif station who, the last time I was there, refused to stop the train and made me jump off at about 10mph instead, with my bags, ending with me scuffing my shoes and getting stones lodged in my hand when I stumbled forward to support my fall. The little fucker.

He holds one out to me, the one he’s been fiddling with, and I take it whilst he puts the others into a bag that looks like a pillow case. The one in my hand had most of its teeth and the eye sockets are level and without chips. I have to confess that they are pretty good quality, but I try to look annoyed at a crappy purchase. It’s hard to do with a well-balanced and smooth skull in your hand, but I’m pretty good at this by now.

Excerpt from the book – a nastyish bit


Outside of the fake castle wall of the pub the sounds of crunching and the occasional growls of play at the removal of flesh and sinew from bones, and the plaintive sounding but victorious barks were persisting. The dogs were settling in for a long meal and, as dogs do, were intending on consuming every last piece of every last person. Now, more than ever in their lives at least, it was true that they did not know where their next meal was coming from, so this one was going to count.

The larger dogs, the purpose-bred attack dogs, were using their massive yellow teeth and smashing their way through femurs, ribs and pelvises, whilst the smaller dogs were gleefully snaffling up mouthful after mouthful of flesh and muscle that dropped from the large hunks of meat hanging from the jaws of their larger cousins. The difference between the smallest and largest animal was reduced at this stage to the sheer volume of human leg or stomach flesh in the mouth of each dog.

There was no barking, threatening growling, snarling or bristling, much less any face-offs or fighting. The pack was intact and functioning as a collective, like the first packs of wolves, coyotes or jackals. The smallest and sharpest dogs acting as alerts, intuiting the dangers and the opportunities, the largest fulfilling the roles of trackers, hunters and disembowlers. The disemboweling, particularly, had been the bit that had hit Mark the worst. He had been expecting an attacking of legs, and throats even, and had been grimly unable to look away from the closing in of the animals onto his and Father’s prospective assailants. True, the mob were clearly after them as a late supper, but seeing the inevitable doom enclosing the unwitting idiots was a pitiful moment.

When the shock of the initial attack from the two German Shepherds had passed, and the rest of the dogs closed in, it was all very fast and bloody. The jumping up, the leaping at hands and faces, the common activity of dogs that Mark could drag out of his memory, didn’t happen. Instead large animals, with long legs, lowered heads and open mouths moved soundlessly into the group of stunned and frightened people, like sharks in a few feet of water moving gracefully and efficiently among the shins of startled swimmers.Without any barks or snaps of warning they seemed to simply reach up and grab the nearest person. They did it not around the wrists and arms, but around the inner thighs and stomachs, pulling the mob down and tearing open the thin skin and weak muscles. Torsos revealed innards which spilled their mass and fluids and then opened up as cavities for the dogs to bury their heads within and begin to empty, pulling pieces out and stepping back to chew and gulp, allowing the next nearest, and next size down, dog to take their turn.

The men were nearly all alive when this happened. Only they screamed. The women were not calm, but they did not scream. They were angry. Scared but angry and they shouted until they were closed off by bites to the face.

From his position Father had been well placed to avoid seeing any of what was going to go down outside but, with his attention fixed on the progress of this clearly well thought out, anticipated and executed plan, he had clearly had no intention of missing anything. It was obvious that, whatever else he decided to do, he would be able to hear what was going on but Father had not moved from his position up high on the parapet. It was, literally, the best seat in the house for such an event and, it was clear to Mark, could not have been planned better. He thought about how to broach the subject but, before even needing to, Father spoke up first.

Why I really enjoyed Parks and Recreation, and will never watch it again.


You will almost definitely (especially if you’re bothering to read this) be aware of Parks and Recreation, the surprise hit from NBC which has just completed it’s 5th season in the US.

It’s creepingly growing a vociferous and passionate audience in the UK and elsewhere now, and the well realised and acted characters are taking on cult status, along with the astute and intelligent scripts.

I watched an episode a week or so ago and thought it was great. Very funny, cleverly structured, well acted and skilfully written and directed.

I’ll never watch it again.

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Full cast of Parks and Recreation

So, why, you may ask?

These comes a point in one’s life where you have to decide what you’re going to spend your time on, and what you just can’t give over your time to. You also need to accept that you just can’t do everything that you want to do, especially when you gain more knowledge about more and more interesting shit, and you no longer have enough time in your life to explore it all.

Television is a growing and expanding power in the entertainment universe, housing the most talented writers, directors and actors that the world may have ever known. Huge amounts of money get spent on television programs. Millions of dollars per episode. Therefore it shouldn’t be any surprise that there are amazing television programs being made.

That’s the issue. Yes, Parks and Recreation is very funny, clever, well-acted, shot and produced and everything else. But, so is Breaking Bad, Dexter, Justified, Suits, Arrested Development, Game of Thrones, Boardwalk Empire and dozens more. I can’t, and won’t watch them.

There are too many books to read, too many films to watch, too many walks to go on, too many drawings to do, too many conversations to have, too many runs to do. I can’t spend my time watching television anymore, no matter how good it is. It’s just television – it’s just a bit funny and clever, or thrilling and scary, but it’s over in 40 minutes and is worth nothing.

Not entirely ‘nothing’ of course, but it’s nothing in the long term. Lots of brilliance on the television eventually means that none of it is brilliant – it’s just television.

Hiring a Van


Got to do this again soon, so thought it prescient to reblog for those who wouldn’t have seen it before

James Tawton's avatartawtalitarian

For most men in this day and age, an age of information technology and electronic communication, we go to work, sit at a desk and tip-tap away at our keyboards and feel all very clever and important about whatever mindless and irrelevant form-filling and box-ticking we’re engaged in.

There are few people in white middle-class Britain who are not, in some way, employed in this fashion, sitting behind a screen, eyelids drooping, backs aching, stomachs expanding. The alternative is shop-working. Standing behind tills, tapping away, or more likely just beeping away, and staring at another screen. At least these poor buggers are on their feet all day.


Where these millions of men, emasculated by modern consumerist society, pinioned by an IT revolution in the UK, find their temporary release is when, with fear in their blood and anticipation trembling through every fibre of their being, they go and hire a…

View original post 761 more words

Real Work


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Often bemoaned in this climate of recession and joblessness – even though employment levels haven’t dropped with the economy itself – is the instability of the once-taken-for-granted ‘Career’.

I remember being told, when I was too young to care (so, about 16) that ‘There aren’t any jobs for life anymore’. By which the suspiciously motivated parent or whoever meant that you couldn’t leave school, get a job and stay in it until you were 65, before retiring and dying two years later from asbestos poisoning.

Ok, so that’s not exactly what they meant.

What they did mean was that the ‘traditional’ jobs market was no more, that industry was going, soon to be gone, and that you couldn’t sit in a company until retirement, because it might not be there in 5 or 10 years, let alone 50.

But, what are we doing about it? Us, I mean, the new movers and shakers. The opinion-formers, the business starters, the innovators? I’ll tell you what we’re doing. We’re taking the easiest possible route to self-important jobs that don’t really exist and, if they do, then they are the latest in the slow decline of respectable professions.

Here, as evidence, are a genuine selection of job titles, from recommended ‘contacts’ from the ever-hilariously ‘Apprentice’ breeding ground – LinkedIn. These are all real:

  • Senior Wine Advisor
  • Online Media Project Director
  • Performance Improvement Manager
  • Campaigns Analyst
  • HR Consultant
  • Change Professional
  • Group Communications Manager

The sheer amount of people who are Business Development somethings, or a Consultant of something or other, is unbelievable.

Bugs Bunny – Real Cartoons


Cartoons. We all love cartoons, or we did, at least when we had the time to watch them. As we get older we phase away from them but, now with a couple of young children, I’ve been exposed to at least as many cartoon hours in the last few years than I have any actual memory of doing so as a child myself.

coyote-and-rocket

Like most disenfranchised 30+ year-olds I naturally know that television was much better when I was a child than it is now. However, after the joyous advent of YouTube and the ability to re-watch episodes of Jason and the Wheeled Warriors, brought my memories back down to earth, I have nevertheless realised something.

Cartoons just aren’t very funny anymore.

Because, and this will be no surprise, cartoon makers are scared out of their pants.

OK, so there have been some funny ones. Ren and Stimpy, Spongebob, South Park, The Simpsons and a few others, but these are not directed straight at children on the whole, and children are really easy to amuse, so why all the banal rubbish that’s on now, with satirical and cerebral cartoons, that are really pointed at adults, the only other decent options?

Yep, they’re scared to get in trouble, from pressure groups ranging from churches, parent groups, moral guardians and governments alike. They don’t want to give out the ‘wrong’ message, or do anything that kids might copy and get them sued for. Sadly, I think I’d be the same if I were them.

Batman The Brave and The Bold logo

There are some adventurous and dark cartoons out there, like Batman: The Brave and the Bold, but compared to the cartoons of the 40s and 50s, they are super weedy.

Here, in no particular order, are the various forms of comedy violence used in a single Bugs Bunny DVD that my two girls (aged 4 and 5) think is about the funniest thing they’ve ever seen. And they’ve seen it about 40 times, so far:

  • Axes
  • Cudgelsbugs-elmer-daffy
  • Pistols
  • Rifles
  • Shotguns
  • Dynamite
  • Bombs
  • Drowning
  • Electric Chair
  • Poison
  • Bull Fighting
  • Stabbing
  • Falling
  • Buried Alive
  • Guillotine
  • Gallows
  • Acid
  • Sharks
  • Piranha
  • Lions
  • Pumas
  • Dogs
  • Ether
  • Hallucinogens
  • Crushing
  • Asphyxiation
  • Baseball Bat
  • Cannon

Honestly, that is not an exhaustive list. And, it’s hilarious. I’ve watched this DVD maybe 5 times myself now.

But, really, is there evidence that children do this stuff because of cartoons? Maiming and blowing each other up? Did they ever? People do horrible things all the time, and I don’t think Wile E. Coyote falling off of a cliff are the cause.

It was a sad day when somebody, somewhere said that Daffy Duck getting his beak blown around to the other side of his head by a double-barrelled shotgun wasn’t funny anymore.

ngbbs4b70d5ed489a2

New Year’s Resolutions – Why the hell not.


Not so long ago I’d have been the first person to pour scorn on the idea of a new year’s resolution which makes me  a cynical shit, but then I was (and still am) like that with lots of things.

This picture is not related to the post content, in any way.
This picture is not related to the post content, in any way.

Fortunately, like many people, I am also prone to radically changing my mind about certain things. Not all things mind you, which makes me an inconsistent and, therefore, unreliable source of friendship or advice. That said, I can be relied upon to argue about nearly anything, and often change my standpoint halfway through, or right at the end.

Anyhow, next year is, I feel, opportunistic. You could say that about any year, month, week or day, I know, but a definitive marker in time is a good thing. We benefit from lines in the sand, from having a start line, a launch pad etc.

So, I’m putting my cards on the table. Opening things up to be observed and noted, and so that i won’t feel so comfortable ignoring my attempts at change in a few week’s time, when it all starts seeming a bit too much like hard work.

Here are the things I’m going to do next year.

1. Spend less days watching TV than days watching TV.
2. Read a book a week.
3. Finish the book I’m writing.
4. Finish the other book I’m writing.
5. Complete the pitches I keep going on about.
6. Get my new tattoo.
7. Get back to running properly.
8. Start/Finish the paintings I’m doing/haven’t started yet.
9. Take my wife out at least monthly.
10. Accept that I have to go to work and try to enjoy it.
11. Count my blessings.

I do do number 11 more and more these days, but it’s a good one to remind yourself about.

Great music cliches we shouldn’t ignore


And, what I mean by this are cliched songs.

There are loads of songs around and we all like listening to good stuff. This generally means broadening your musical experience where you can and trying to find new things. Also, if you’re like me and a bit of precious geeky type, and not without a hint of snobbery, you also like to ‘like’ stuff that is outside of general popular listening. It makes you feel a bit special. Well, this post isn’t about pointing out how daft that is, I think we all realise that now that we’re thinking about it.

No, this post is about pointing out just how much stuff you miss out on by avoiding not only popular music, but also by not taking the time to revisit stuff that you feel that you know so well that you don’t listen to anymore. So, here’s a taster list of guitar tracks, some heavier than others, that I personally haven’t listened to in a long while, because I can replay them in my mind and so haven’t bothered for a while. They are often chillingly good though and make me wonder why it’s been so long.

1. Enter Sandman – Metallica

Metallica have turned into a bit of a sideshow these days, and their output questionable. But in the 1990s they were MASSIVE. Their eponymous ‘black’ album is often derided by metal-heads as derivative of their earlier work, but this track made the world realise that Guns N’ Roses were not a heavy metal band and that this is what metal sounds like.

2. Welcome to the Jungle – Guns N’ Roses

Guns N’ Roses were however the best rock band in the world. They’re a dim memory now, and Axl Rose proved himself to be the tool that we all thought he was. However, they were a load of brilliant musicians and this more than anything, I think, exemplifies the end of the cartoonish hair-rock and the beginning of proper rock of that period.

http://youtu.be/kr8-E8may2Y

3. Smells Like Teen Spirit – Nirvana

There’s not much someone of my generation can say about this track that other people of the same generation haven’t heard, or thought, many times themselves. That Nirvana changed the musical landscape is undeniable, and that they became the epitome of the commercial monster they claimed to deride is equally so. A million plays on MTV don’t stop this being a phenomenal track though.

4. Walk this Way – Aerosmith

Steven Tyler is on America’s Got Talent. OK, so he’s a prick and a sell-out and everything else and Aerosmith, like everyone else, are a parody of themselves. This is all true, but this track (and it was a toss-up as to whether to put the arguably better Run DMC version in here) is still great and unapologetic.

5. Where is my Mind – Pixies

Admittedly nowhere near as mainstream as the previous four bands but, say to any Pixies fan that you like this song they’ll say ‘Yeah, whatever dude’, because it is the defining Pixies song, and therefore uncool. Trouble is that it’s the defining Pixies song because it’s amazing! It got a new group of fans after appearing at the end of Fight Club, which probably made it less cool. Fuck that.

http://youtu.be/RCD14IrOcIs

6. Take me Out – Franz Ferdinand

An odd choice you might think, what with this being such a recent track, but it’s actually 8 years old!!! Used to hear this a lot, but now not at all. It’s got so many different bits of guitar on it that it’s just poetic. Also, it’s that rare thing, a debut single that peaked the band. I hope not, but…

http://youtu.be/xZGcw9HHOkU

7. The Drowners – Suede

Speaking of killer debuts. Who listens to Suede anymore? Anyone? I cannot remember the last time that I thought ‘Ooh, where’s my copy of Coming Up?’. Speaking of which, where is it? Anyway, this is great, for lots of reasons, if not just the memory of being young and thinking this kind of druggy, sexy, posey stuff was cool. Suede were really big once you know.

8. Layla – Derek and the Dominoes

This song has actually moved beyond it’s rock parody self, mainly because it’s so ashamedly rock. It’s mainly appreciated for the piano outro, as used to splendid effect at the end of Goodfellas, but this is like the very core of Eric Clapton, distilled and captured. It outpaces all the classic Cream stuff too, probably because he had nothing to prove at this point and called himself Derek, because he’d made the word ‘Eric’ too cool.

9. Freebird – Lynyrd Skynyrd

Just looking at the words Lynyrd Skynyrd make me happy. There’s nothing to this than a great idea for a bit of guitar playing that someone had once and thereafter built a song around, so that they could get away with putting it out on a record. People laugh at this song, but they don’t bloody laugh when it’s playing. It’s a romantic song too, and it’s 9 minutes long! The build up to the solo is actually quite exciting.

http://youtu.be/np0solnL1XY

10. Paranoid Android – Radiohead

All the knob-twiddling and disappointing albums have made people forget that Radiohead rock out. I have no issue with King of Limbs, or In Rainbows, they can do whatever they want and I’ll listen to some albums and tracks more than others. The Bends was the album that made me listen to Radiohead, and keep listening, but it was this track that made the whole world listen, and there’s a good reason for that. Live one here, ooh.

http://youtu.be/zIklhgI-m2s

Television Shows That Have Passed Me By.


Television, she is a fickle mistress. Sometimes it’s great, mostly it’s awful rubbish. Then, in the early 90s we experienced a sudden uplift in the number of television shows from different countries dropping into our television schedules. This wasn’t a completely new thing, as we’d been used to imports since the early 80s, with Dallas, Dynasty, Neighbours and others besides filling many people’s television time on terrestrial TV. But, because it was part of the schedule, it was accepted and seen as normal.

However, the early adopters of BSkyB and Sky were caught up to by the rest of us, because it became clear that there was a healthy appetite for television imports, so broadcasters realised they didn’t have to go wasting time and energy coming up with so many new ideas, and could instead go shopping for other people’s instead!

This approach swings in all directions, of course, with British television finding plenty of traction in other countries, but I’m concerned here with the big imports, mainly American, to UK screens, which I just never watched and can’t see that happening, unless I end up in traction for a few months.

1. The West Wing

Let’s get straight down with it then, shall we? Never seen The West Wing. Read about it. Heard about it. Seen clips of it. Seen lots of photos and responses to it. But, as will become a common thread here, I never caught it near the beginning and thereafter it’s a bloody hard slog to get involved with these. Yes, yes, it’s brilliant and I should watch it. But I don’t care enough about actual American political bullshit, let alone spend days of my life watching made up versions. Sorry.

2. Mad Men.

Another ‘brilliant’ show, of which I have seen not one jot. I don’t know anyone who has either I think. Certainly no-one who’s so ‘stoked’ about it that they’ve mentioned it to me. Looks great from what I see, and I like one of the guys in it, but watching Americans being cool, or not, or whatever suggests a real buy-in is required and I haven’t handed that particular buy-in token to this show.

3. The Killing/The Killing.

I could also put Wallander/Wallander in here, but The Killing is far more recent. Police procedural dramas leave me cold, unless there’s something funny or ironic in it. If there isn’t then I just feel like I’m watching people pretending. I know that that is what it is, of course, but once you get that thought into your head, it’s impossible to get it out. Gloomy murders, bleak personalities, broken lives? Taggart. It’s all just Taggart.

4. Lost.

This was more a personal thing than anything. Someone I don’t like really liked this and went on and on about how amazing it was and how it would ‘bend my mind’ and I thought, fuck you and fuck that. Turns out that Lost bottomed-out anyway and pretty much disappointed everyone who watched it, so no biggie there. I like the general premise of this but, even after the fact, and the opportunity to watch it without being bothered by the connection to the aforementioned cock-end, I look at those two massive series boxed-sets and think, ‘Sheesh. That’s one for after the car crash’.

5. Downton Abbey

I’ve included this just to break up the obvious point here, that I don’t buy into the hype and dramatic lead-ins to big US imports, irrespective of their massive production values or big name stars. Downton Abbey is one of those things though, and there are lots of them, where UK television attempts to create the same level of excitement but has neither the balls nor the money to do anything original or exciting. The biggest things on television from the UK are retreads of old ideas, even literal old programmes. The idea that a whole new generation needs to see this kind of massive stately home drama horseshit is beyond me. It’s so very serious and dry and all I think of when I look at it is PG Wodehouse. Gosford Park is to blame for this, and that was a load of boring old ballbags.

So, there. How very exciting and fulfilling that must’ve been. I will pipe in here though and say that I do quite like The Mentalist, although it’s not very good anymore. Suits is promising too. Just saying like.

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